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• ' Released: 15 October 2007 Alive 2007 is the second by the French duo, released on 19 November 2007. Adobe Dreamweaver Dark Theme. It features the duo's performance at the arena in Paris on 14 June 2007. The set features an assortment of music from Daft Punk's discography, incorporated with on-stage synthesizers, mixers, and live effects. The album's physical release in was delayed to 4 December 2007 due to production issues, but the album later became available as a on 20 November 2007, and was later released in the on 25 February 2008. The album won a for in 2009. A special edition of the album was released that includes the encore from the Alive 2007 tour on a second disc.

It also includes a 50-page book containing photographs from the tour taken. Contents • • • • • • • • • • Structure [ ] The Alive 2007 set used software on 'custom made super-computers' for the show. Daft Punk accessed the hardware remotely with BCR2000 and pads within the central pyramid. RME units were also implemented for the live performances. The four Voyager units and two Behringer mixers allowed Daft Punk to 'mix, shuffle, trigger loops, filter, distort samples, EQ in and out, transpose or destroy and deconstruct synth lines.'

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The majority of the equipment was stored away during the live sets within offstage towers. Daft Punk performing at during the Alive 2007 tour The recording of Alive 2007 was derived from Daft Punk's live performance at their show on 14 June 2007. Reviews of the set noted how Daft Punk manipulated and reworked their established material. One report spotted vocal elements from the song 'Too Long' mixed with newly generated accompaniment. The overlapped mixtures of 'Television Rules the Nation' with 'Crescendolls', ' with ' and 'Superheroes' with ' were reported to be well received by the audience. The set itself was considered a collection of Daft Punk's most popular recordings. The performances heavily featured tracks from Daft Punk's album, prompting critics to reconsider what they felt about the album.

The performances for the Alive 2007 tour were an expansion of Daft Punk's 2006 live sets. Noted additions include elements of the tracks ' and 'Phoenix' as well as an encore. Bangalter explained that the 2006 sets were initially designed for performances within larger festivals, but later refined to accommodate Daft Punk-specific shows. 'The goal was to try and bring a complete global experience to the audience.' The introduction for the live show featured the five-note sequence used in.

The album includes elements of the song ', the original version of which was produced by featuring a sample of '. Also featured are elements of 's ', the original version of which was remixed by Daft Punk for her single. The encore of the Alive 2007 set features Bangalter's side projects: 's ' and 's self-titled track 'Together'.

Critical reception [ ] Professional ratings Aggregate scores Source Rating 78/100 Review scores Source Rating B+ A− A− 9.2/10 7/10 8.5/10 9/10 8/10 Alive 2007 was met with critical acclaim upon release. Regarded the recording as 'the Ultimate Daft Punk Mixtape', specifically noting how songs from the album had been 'constantly improved and born anew' for the live set. The sentiment was also shared by, stating that 'It has the feel of a greatest-hits-live concert, but energized by Daft Punk's talents at weaving songs in and out of each other.'

The publication ultimately considered the stronger of their two live albums, however. A review by noted that the release and Daft Punk's concurrent tours cumulatively restored the duo's reputation following Human After All. Dave de Sylvia of gave the album a score of four stars out of five and said, 'Despite a few individual disappointments, Alive 2007 is as exciting a collection of music as any released this year. Download Program Pcacol on this page. ' Felt that the live crowd enhanced the positive mood of the performance. Stated that Alive 2007 'loses some of the essential experience' of attending the live Daft Punk events. Also felt that the album package would have benefited from more video content, expressing that a key factor of the live show was its implementation of visual elements.